The project for the design and development of the Càritas Andorrana web came through Pampliega & Associats, which had created the structure and the content. The previous web was very outmoded, it had not been updated for years and neither was it aligned with the current guidelines of the Càritas websites or many of the current web standards.

Since we did not have a corporate document, the reference we took were the Càritas’ websites in Spain, analysing the colours, typography and graphic features that could be useful in designing the new web. Once we had performed our own study of the graphic line, we designed the user interface for the different pages. Basically, it is a highly-structured composition of blocks of photographs and plain colours with large blank spaces and headings to improve the readability of the message.

To design the web, we availed ourselves of the corporate image manual provided by the EFI, to which we added new graphic elements in order to enhance the visual impact, plus specific icons to explain certain sections.

It is a very clean design, with circular items all over the web to foster the organisation’s core idea, as well as figures joined together by lines to enhance the concept of unity. This all made the content much easier to read.

The colour palette and typography used in the design, and adapted to the different web elements, are aligned with the corporate image manual requirements.

Our collaboration with the Association, began in 2018, initially to perform maintenance work on its old website. Finally, in 2021 we were commissioned with creating the new website, coinciding partly with the launch of its new corporate identity.

The old website presented several problems, mainly because it was old. The first and most visible issue was its design, which was very outmoded. Another problem was its lack of clarity, untidiness and scattered content, resulting in a lack of definition of the organisation’s projects, the different news categories or even the Association’s spheres of action.

The objective of the new web is on the one hand to adapt to the new corporate identity and to consolidate a solid brand image by dint of a modern design, while also tidying up all the information thanks to a study of the information architecture, creating a hierarchy of content to make it more readily accessible by visitors.

The new website also solves an issue with the previous one, presenting calls to action much more visibly to recruit new members and to make it easier for them to register via the web.

Our relationship with Atelier de Chronométrie began some years ago when we did the website for Mimandcrocket, a company that specialises in making vintage watches. This longstanding relationship gave us a more comprehensive view of its products and the way it works.

The Atelier website was designed with the aim of delivering its message simply with a new architecture that would make it possible for the pages for future timepieces to be created more flexibly and without being limited to a fixed design.

The client furnished us with high-resolution images, helping us to devise a website where the photographs took centre stage and every last detail of the watches was clearly conveyed. We also attached great importance to the company’s operating processes to depict the delicacy and precision of its work in the utmost detail.

Grupo Humact had no existing website, so virtually everything was created from scratch: information architecture, wireframes, design and content. The only thing that we had was the logotype. We developed a content architecture that would provide a clear-cut division in which there would be no possibility of generating confusion between their myriad services, particularly training.

The design is based on a white background and the corporate colours in the logotype, blue and green, applied in a joyous and vibrant gamut. We used the logotype, which contains three interlinked circular shapes, as our basis. The photographs are framed in circular forms, like such as windows that open out onto different points of the same photo, showing only the parts that we want to be seen. The lines, in smooth transparent tones, also take on a prominent role as graphic elements, which divide and lead us to the different sections of the same page, always using lines that project beyond the blocks of colours, horizontally and vertically, creating a grid on which the content is deployed.